These are all accessible via an expanded modulation matrix featuring FM, ring modulation and customisable multi-segment LFO shapes.

20 different modes allow you to process each sound engine’s output with the other, as well as allowing you to stack them.Īs you would expect from Arturia, MiniFreak includes a wealth of customisable modulation and manipulation tools. As with its miniature predecessor, the MiniFreak uses digital oscillators pushed through analogue filters for some truly wild and big sounds. It also delivers 12-voice Paraphony, Unison and Monophonic modes. The most obvious change is that the MiniFreak is now a 6-voice polysynth. Sporting velocity sensitivity and aftertouch, this will appeal much more to the keyboard players amongst you. Ahhhh, Freak Out!įor starters, gone is the unique touch keyboard of the MicroFreak, replaced by a full action 37-note ‘slim keys’ example. If you thought that Arturia’s MicroFreak was a slightly mad, but hugely unique synthesizer, then buckle up for the MiniFreak! Building on the incredibly successful Micro, the MiniFreak expands all of those superb sound-shaping features and throws in a lot more.

As part of their ‘Rendez-vous’ launch event today, Arturia announced a number of new products including the MiniLab 3 and Augmented GRAND PIANO.

Arturia mini synth